Movies Detail of The Inheritance (2001)

✓ Title : The Inheritance
✓ Original Title : A Partilha
✓ Release Date : June 8th, 2001
✓ Genres : Comedy, Drama
✓ Runtime : 96 minutes
✓ Director : Daniel Filho
✓ Writers : João Emanuel Carneiro, Mark Haskell Smith, Miguel Falabella, Miguel Falabella
✓ Companies : Lereby Productions, Globo Filmes
✓ Country : Brazil
✓ Cast : Lília Cabral, Glória Pires, Thiago Fragoso, Paloma Duarte, Andréa Beltrão, Dennis Carvalho, Chica Xavier, Herson Capri, Fernanda Rodrigues, Marcello Antony

Synopsis of The Inheritance (2001)

Reunited for their mother’s funeral, four sisters – Selma, Regina, Laura and Lúcia – find themselves forced to divide much more than a spacious apartment in Copacabana. While dividing the articles – from the apartment’s sale to splitting a toy tea set – the sisters compare options, destinies, lifestyles, expectations. The divergences are inevitable, because they’ve followed very different tracks. The turbulent sale of the apartment represents a turning point in their lives: they know they have never been so deeply involved as accomplices, or as sisters.




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The Inheritance (2001)

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The Inheritance Full Movie Pinterest - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.


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