Movies Detail of Τα στραβάδια (1988)

✓ Title : Τα στραβάδια
✓ Release Date : January 1st, 1988
✓ Genre : Comedy
✓ Director : Panagiotis Soupiadis
✓ Writer : Panagiotis Soupiadis
✓ Cast : Giorgos Giannarakos, Dimitris Frangioglou, Eleni Philippa, Dimitris Kasis, Giannis Astrakakis, Panagiotis Soupiadis, Giorgos Geogleris, Michalis Reppas, Stavros Kalafatidis, Katerina Gounari

Synopsis of Τα στραβάδια (1988)

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Τα στραβάδια En Francais Entier - focuses on the politics and social order implied by libertarian philosophies with an emphasis on individualism and a limited state – and in some cases, no state whatsoever. As a genre, it can be seen as growing out of the 1988 and 1988 when the science-fiction pulp magazines were reaching their peak at the same time as fascism and communism. While this environment gave rise to dystopian novels such as George Orwells Nineteen Eighty-Four, in the pulps, this influence more often give rise to speculations about societies (or sub-groups) arising in direct opposition to totalitarianism.

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Regarder Τα στραβάδια Film Complet En Francais - transposes themes of American Western books and film to a backdrop of futuristic space frontiers; it is the complement of the science fiction Western, which transposes science fiction themes onto an American Western setting.

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Τα στραβάδια Pelicula Completa Filtrada Ver - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.


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